Cherish Mccormick

Meet Vendura, an elegant serif-family with a modern touch. While being a hommage to the beloved high-contrast didone typefaces from the 18th and 19th century, Vendura comes up with some unique design details, giving this family a modern twist. It adds a lot of personality to any Editorial Design, Branding Project or User Interface. The seven weights of Vendura have lots of crisp sharp edges, while its matching italics create a slightly softer and warmer look.

Vendura has an extensive character set to offer, covering more than 200 languages. Plus, there are ligatures, stylistic alternates, numerical variations, automatic arrows and so much more to find, making sure it can catch up with all your typographic demands. Offering 625 glyphs per font, Vendura is a truly versatile companion for your next design project.

West Fork JNL is based on the classic wood type Latin Extended (Hamilton, 1888) and is available in both regular and oblique versions.

From the pages of a small book entitled “A Portfolio of Alphabet Designs for Artists, Architects, Designers & Craftsmen” [Irene K. Ames, 1938] comes a bold Art Deco sans poster display face.

The digital version is called Throughway JNL, and is available in both regular and oblique versions.

[To note, throughway (or sometimes spelled thruway) is a popular term from the 1950s and 1960s for a major road or highway.]

Introducing, Revalina Signature Script - a typeface inspired by natural hand written. This font has many stylistic alternates, ligatures, swashes so you can play around with them using opentype features and creates lettering with natural touch. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates and ligatures
- swashes
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

A page from the 1931 Vitrolite catalog showing illustrations of store fronts and building exteriors utilizing the material provided a classically Art Deco type example.

The business name “Sylvin” did not offer many characters to work with, so completion of the digital type design was simply left to imagination.

The end result is Structural Glass JNL, which is available in both regular and oblique versions

According to Wikipedia:

“Pigmented structural glass, also known generically as structural glass and as vitreous marble, and marketed under the names Carrara glass, Sani Onyx, and Vitrolite, among others, is a high-strength, colored glass. Developed in the United States in 1900, it was widely used around the world in the first half of the 20th century in Art Deco and Streamline Moderne buildings. It also found use as a material for signs, tables, and areas requiring a hygienic surface. Over time, the trademarked name “vitrolite” became a generic term for the glass.”

Autherical is old and stylish, was inspired by old fraktur calligraphy. This typeface comes with two version regular and slant. Also comes with extra ornament and multilingual characters support.
more than 400 glyph and lots of alternates, access the all alternates by PUA code, create you boldest old stylish on your designs with this typeface.

Octagonist JNL is based on ‘Octagon’ [which was introduced in the George Nesbitt 1838 specimens of wood type] and is available in regular, oblique, solid and solid oblique versions. 

The font’s name is partly an homage (to the original type name) while at the same time making a pun on the word ‘Antagonist’.