Cherish Mccormick

Perva is a suite of three eye-catching fonts inspired by display types from the 19th century. This unconventional family has three different font styles that can be used individually or combined to build a playfulness multi-typeface design system. It is suitable for titling, posters headlines, book covers, packaging, social media, and branding.
Perva brings together a Slab serif font, a.k.a Antique or Egyptian; a Reverse-contrast or Italian; and an Old English Blackletter.

The design is inspired by the display types listed as “Typographic monstrosities” in Thomas C. Hansard’s book Typographia (1825).
What he found absurd was understood here as interesting and enjoyable to introduce a contemporary approach of the types widely sold by foundries such as Bruce’s New York Type-Foundry and Caslon Foundry.

Each of the three fonts holds around 400 glyphs, covering the languages of Northern, Western, Central, and Southern Europe. Opentype features include case-sensitive forms and a couple of alternates for the Blackletter style.

Wild Star is a font duo not to be tamed – this pairing of modern blackletter font & unrestrained script font aren’t afraid to make your message heard loud & clear. It’s a bold choice for merchandise, album artwork, logo designs, quotes & more.

This family includes;

Wild Star • A modern blackletter font containing lowercase only characters, plus numerals and a full range of punctuation. There are alternate stylistic versions for letters g, l & y which contain an underline flourish. To access these, simply turn on ‘Stylistic Alternates’, or access them via a Glyphs panel.

Wild Star Outline • A second version of the Wild Star font with an outline effect added.

Wild Star Script • A rough, hand-scratched font containing 2 sets of uppercase characters, numerals and a full set of punctuation. Simply turn your caps lock on & off to switch between the 2 sets of characters.

Language Support • All Wild Star fonts support the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Introducing, Killviners - A modern blackletter typeface. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as Logo, Clothing, Fashion, Headline, or any type of advertising purpose.

Features :

- uppercase & lowercase
- numbers and punctuation
- stylistic alternate
- multilingual
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Introducing, Killviners - A modern blackletter typeface. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as Logo, Clothing, Fashion, Headline, or any type of advertising purpose.

Features :

- uppercase & lowercase
- numbers and punctuation
- stylistic alternate
- multilingual
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Bork is a display typeface that was inspired by an exercise in blackletter calligraphy. The style’s characteristic dark texture is seen mainly in the lowercase, with uniform spacing (where counterspace equals letterspace), shapes that recall the straight, interrupted strokes used in that style of writing, and the peculiar construction of certain letters. On the other hand, the uppercase aims for a more conventional roman construction, making it more legible for modern-day readers.

It features an extensive character set that includes contextual and stylistic alternates, superior/inferior figures, arbitrary fractions, as well as several unusual ornaments, symbols and punctuation. Bork is especially suited for use in book covers, headlines, packaging and logotypes.

Bork was designed by Luisa Leitenperger.