Cherish Mccormick

I love my bike, and I couldn’t dream of not using it on a daily basis - I use my bike in rain, sun, snow, and windy days…all year, in other words!
This font is dedicated to my bike, and is the first in a series of handmade fonts!

Play around with the three layers and your favourite colours, for awesome effects. All versions comes with Contextual Alternates, which means several versions of each letter. In this case, every letter has 5 different versions that automatically cycles as you type! A quite awesome thing, because it makes your text more lively and natural looking!

Karela is a humanist slab serif family. Karela is also the Basque word for gunwale, this is, the widened edge at the top of the side of a boat, where the edge is reinforced with wood or other material and to which the thwarts are attached. Gunwales resemble the way slab serifs reinforce vertical stems giving a more robust appearance to the letters.

The sturdy, solid and often mechanical structure that is customary in slab serif or mechanistic typefaces is softened in Karela applying subtle tweaks as humanist proportions, slightly curved endings in ascenders and curved edges in serifs. The influence of calligraphy is noticeable all over the character set, especially in counters and letters with instrokes like “m”, “n” and “r”, and it becomes explicit in the italics. Karela pursues to give a human touch to a strong and highly functional structure. It seeks for the ideal combination of strength, precision and warmth of the wooden parts painstackingly handcrafted by ancient boat builders. In addition, its low contrast, generous x-height and the constant width of characters across weights makes it very convenient for editorial uses when low resolution is a concern

Karela also takes the concept of grades and explores new possibilities. Grades are used to compensate for differences in printing media or display conditions of text layouts. To minimize these subtle changes without a reflow of the text they have to be designed with the same character width of the base style. Karela extends this no‑reflowing idea to the whole range of styles, allowing to play with any of its weights without undesirable text reflows. Enjoy the layout stability while you experiment and play with variations!

MADE TOMMY is a new classic casual sans serif font family. The TOMMY font family includes: 7 normal and 7 outline style.

MADE TOMMY will perfect for many project: fashion, magazines, logo, branding, photography, invitations, wedding invitation, quotes, blog header, poster, advertisements, postcard, book, websites, etc.

Ruberoid is a squarish geometric sans-serif family reminiscent of Italian designs of 1950s and 1960s, but featuring considerably rounder shapes to give it a more contemporary feel.

The typeface comes in 9 weights with companion oblique styles and contains support for Latin, Greek, and Cyrillic scripts.

I have a lot of pencils, but when I need one, they seem to have grown legs and have disappeared! When I decided I wanted to create a pencil font, it took me a long time to find the right pencil for the job!

Wandering Pencil is a nice, handmade font. It is a bit shaky, a bit rough, but it does have class and will look nice on your designs!

Comes with diacritics and double letter ligatures for the lower case.

Gromy is a family of fonts formed by Gromy Regular and Gromy Italic. It’s a very casual, informal and friendly calligraphic typeface.
Gromy font comes with 561 glyphs, with OpenType features, swashes for all glyphs, stylistics sets, stylistics alternates and a lot of ligatures to play with your texts. This OpenType features may only be accessible via OpenType-aware applications, or the Character Map to view and copy any of the extra characters to paste into your favourite text editor/app.
Gromy can be used in works that require an informal and original fee, children’s books, wedding invitations, greeting cards, posters, labels, t-shirt design, in ink or water - colour based designs, fashion, magazines, food packaging and menus, book covers and whatever your imagination holds!

Made you look? There’s a peculiar feel to the letters – achieved by the reversed contrast. Perfectly legible yet there’s something about the characters that makes them stand out. As Viktor Shklovsky once coined, ”Habitualization devours objects” – the everyday world becomes invisible until we are forced to see it otherwise.

The Portland font family is a tool of choice when you want to effortlessly make your designs stand out.