Cherish Mccormick

One of the text fonts showcased within the pages of the John Ryan Foundry (Baltimore, MD) specimen book from 1894 is a squared type face with rounded corners called “Geometric”.

The original design has been updated slightly by substituting straight lines for the inner corner curves to add a small contemporary touch to a classic alphabet from the 19th century.

Business Letter JNL is available in both regular and oblique versions.

An image of the wide, Art Deco influenced lettering of a sign over a coffee bar inside a Jacksonville, Florida Lovett’s Supermarket (a predecessor to Winn-Dixie) inspired the namesake font Coffee Bar JNL – available in both regular and oblique versions.

Convicted JNL is a condensed, chamfered sans serif type design inspired by opening credits from the 1940 film of the same name – available in both regular and oblique versions.

The hand lettered name “Chickland” from a 1958 restaurant menu cover was actually a throwback to the Art Deco style with its condensed thick and thin sans serif design. 

With just a few available letters to work with, it has been turned into Counter Service JNL; available in both regular and oblique versions.

Erle Stanley Gardner’s beloved lawyer “Perry Mason” first appeared on screen in a series of six films with Warren Williams starring in four of them.

The hand lettered opening title for 1935’s “The Case of the Lucky Legs” is a classic Art Deco sans serif design, and is now available as Courtroom JNL in both regular and oblique versions.

The hand-lettered title on the poster for the 1933 musical comedy film “Melody Cruise” was rendered in an Art Deco thick-and-thin style with ‘engraving lines’ placed within the letters.

This is now available as Cruise Director JNL in both regular and oblique versions.

The hand lettered, condensed stencil title on a movie poster for the 1950 film “Customs Agent” inspired both the digital typeface and the font’s name. 

Customs Agent JNL is available in both regular and oblique versions.