Thursday, September 9, 2021

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Starboard
Starboard StarboardStarboard

Designed by David Kerkhoff, Starboard is a brush display and grunge font family. This typeface has two styles and was published by Hanoded.


The term starboard derives from the Old English steorbord, meaning the side on which the ship is steered. Before the steering wheel, boats were steered by an oar at the stern of the ship. Since most sailors were right handed, this is where you would find your steering oar!
Starboard is a rough, handmade, brushy kinda font. It was, of course, made with my favourite cheap brush and Chinese ink - resulting in a slightly eroded looking font.
Starboard comes with all the trimmings, including double letter ligatures for the lower case.





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TG Reglic
TG Reglic TG ReglicTG Reglic

Designed by Iqbal Firdaus, TG Reglic is a sans serif font family. This typeface has eight styles and was published by Tegami Type.


TG Reglic is a new contemporary sans serif, influenced by grotesque and geometric typeface letterforms. It comes with four weights, matched with Italic styles. TG Reglic has several OpenType features such as various ligatures, lining figures (proportional, superior, inferior, denominator, numerator & fraction), stylistic features from 01-04 and covered more than 100 languages Latin based. TG Reglic would be the ideal alternative choice typeface for small or large text sizes with unique characteristics.





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Easygoingness
Easygoingness EasygoingnessEasygoingness

Designed by Brittney Murphy, Easygoingness is a hand display and hand drawn font published by Brittney Murphy Design.


Easygoingness is a relaxed & nonchalant handwritten font. It’s mostly mono-height which means it’s great for multi-line content. You can also mix and match upper and lowercase as you see fit. :)

Easygoingness is great for evoking a casual, approachable atmosphere. It would work well for comics, cards, logos, friendly workplace signage, or any other graphic design projects with a laid-back feel.





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Mazot
Mazot MazotMazot

Designed by OÄŸuzhan Cengiz, Mazot is a sans serif font family. This typeface has nineteen styles and was published by Hurufatfont Type Foundry.


Mazot is a modern sans serif with a compact and low contrast structure.
Low contrast structure and terminals being flush with the body,
gives it a raw effect. Perfect for Branding, Poster and Packaging designs.
It has rich OpenType features. It consists of a total of 18 styles, from Light to Heavy with 9 weights and matching italics.
It is available in 2-axes variable version.





Wednesday, September 8, 2021

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Bert Watson
Bert Watson Bert WatsonBert Watson

Designed by Hendry Juanda, Bert Watson is a modern calligraphy and script font published by Letterhend Studio.


Bert Watson is a beauty script based on a modern calligraphy with natural hand writing look and feel. It can be used as digital signature as well. It has many alternates and ligatures which contain many swashes that you can play with. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.





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Ripster
Ripster RipsterRipster

Designed by Rodrigo Araya Salas, Bruno Jara and Andrey Kudryavtsev, Ripster is a display sans and hand display font family. This typeface has six styles and was published by Rodrigo Typo.


Ripster, is a typeface family of 6 variants (Regular, Inline, Shadow, Soft, Soft Inline, Soft Shadow.) especially for titles, with very dynamic and strange shapes, it also contains Cyrillic alphabet such as Greek.





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Sellina World
Sellina World Sellina WorldSellina World

Designed by Hendry Juanda, Sellina World is a modern calligraphy and script font published by Letterhend Studio.


Sellina World is a beautiful signature script based on manual hand writing. The stylistic alternate, ligatures and the tick and thin stroke make this font looks a real hand writing instead of typing a font. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

uppercase & lowercase
numbers and punctuation
multilingual
alternates and ligatures
PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/





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