Wednesday, September 1, 2021

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Oildale
Oildale OildaleOildale

Designed by Michael Parson, Oildale is a display and hand display font published by Typogama.


Oildale is a single weight, connecting script that explores the idea of using crossed strokes as the main body of the typeface. Designed as a display font, it’s bold form and unique appearance lend it a distinctive charm that can be used in branding, headlines or other titling. Featuring an extended Latin support covering a wide range of langages, it also includes a range of Opentype options, from a choice of numerals, ligatures or decorative, swash letters.





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Packaged Cookies JNL
Packaged Cookies JNL Packaged Cookies JNLPackaged Cookies JNL

Designed by Jeff Levine, Packaged Cookies JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.


An image found online of the first [1923] “Oreo Sandwich” package provided a type inspiration from the pen-lettered block sans with rounded corners used for the product’s name.  Prior to 1923, the cookies were sold in boxes or tins. 

The result is Packaged Cookies JNL, which is available in both regular and oblique versions.



Packaged Cookies JNLDownload NowView Gallery


Tuesday, August 31, 2021

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Rustica
Rustica RusticaRustica

Designed by Martin Sommaruga, Fernando Díaz and Vicente Lamónaca, Rustica is a sans serif font family. This typeface has twenty styles and was published by TipoType.


The world has changed; we want it to change. But it has a history too. Rustica draws back to the sans typeface tradition and updates it for the 21st century; we aim to go back to the humanist values without dismissing the role played by technology.It’s a GeoHumanist sans serif.

Type design looks back at its past to return with renovated strength to its march to the future. Rustica is based on a humanist architecture with the addition of the determination and precision of the geometry of the classic sans of the early 20th century.

Thus, a typographic conception typical of 21st century communications: returning to the human values of closeness and proximity, adding the certainty of knowledge and science.

Rustica is born out of the DNA of our awarded font Rotunda, contributing to this typographic ecosystem humanist notes enhanced by the precision and discipline of geometry.

Designers: Tipotype Team





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SK Merih
SK Merih SK MerihSK Merih

Designed by Salih Kizilkaya, SK Merih is a sans serif font family. This typeface has twelve styles and was published by Salih Kizilkaya.


SK Merih is a geometric sans serif and semi-condensed font family. Produced with a clean and modern design approach, SK Merih can be easily used in titles, body texts and many points you may need in design.

SK Merih takes its name from Mars. Although Merih is not used today, it is the Turkish equivalent of Mars.

SK Merih consists of 12 fonts and 5244 glyphs in total and has multilingual support. In this way, it contains all the typographic elements you will need in your designs.





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Handmade Stencil JNL
Handmade Stencil JNL Handmade Stencil JNLHandmade Stencil JNL

Designed by Jeff Levine, Handmade Stencil JNL is a display slab and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts.


Handmade Stencil JNL was inspired by the hand lettered opening credits of the 1954 film “Human Desire” and is available in both regular and oblique versions.



Handmade Stencil JNLDownload NowView Gallery


Monday, August 30, 2021

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Game Rules JNL
Game Rules JNL Game Rules JNLGame Rules JNL

Designed by Jeff Levine, Game Rules JNL is a display slab font family. This typeface has two styles and was published by Jeff Levine Fonts.


While this bold, chamfered typeface may look like a sports font, it actually came from the opening credits for the 1955 Western film “The Man from Bitter Ridge”.

Game Rules JNL is available in both regular and oblique versions.





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Organic Pro
Organic Pro Organic ProOrganic Pro

Designed by Neil Summerour, Organic Pro is a sans serif font family. This typeface has sixteen styles and was published by Positype.


When I released the original Organic in 2009, I was satisfied with it. It was what was possible from me and the technology at the time. The Organic Pro of 2021 takes those original desires of delivering a highly legible and friendly sans serif, and doubles down on those notions, while exploring what further infusing warmth in a highly structured sans serif can really do for a client.

Free of distracting and potentially dating visual traits and cues that could be seen as endemic of a specific time period or ‘type trend’, Organic Pro is its own person—take it or leave it. Inviting warmth, assured reliability, and a head nod of confidence is what you walk away with—a stark contrast to the cold, impersonal geometrics and grotesques proliferating the design annuals currently. Releasing this typeface now, completely redrawing the masters, as well as expanding the weight and language options, should be seen as a laid back challenge that we need to do less with type, let it communicate confidently and warmly when it needs to, and stop forcing one-size-fits-all type trends on everyone.





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