Cherish Mccormick

The world has changed; we want it to change. But it has a history too. Rustica draws back to the sans typeface tradition and updates it for the 21st century; we aim to go back to the humanist values without dismissing the role played by technology.It’s a GeoHumanist sans serif.

Type design looks back at its past to return with renovated strength to its march to the future. Rustica is based on a humanist architecture with the addition of the determination and precision of the geometry of the classic sans of the early 20th century.

Thus, a typographic conception typical of 21st century communications: returning to the human values of closeness and proximity, adding the certainty of knowledge and science.

Rustica is born out of the DNA of our awarded font Rotunda, contributing to this typographic ecosystem humanist notes enhanced by the precision and discipline of geometry.

Designers: Tipotype Team

SK Merih is a geometric sans serif and semi-condensed font family. Produced with a clean and modern design approach, SK Merih can be easily used in titles, body texts and many points you may need in design.

SK Merih takes its name from Mars. Although Merih is not used today, it is the Turkish equivalent of Mars.

SK Merih consists of 12 fonts and 5244 glyphs in total and has multilingual support. In this way, it contains all the typographic elements you will need in your designs.

Handmade Stencil JNL was inspired by the hand lettered opening credits of the 1954 film “Human Desire” and is available in both regular and oblique versions.

While this bold, chamfered typeface may look like a sports font, it actually came from the opening credits for the 1955 Western film “The Man from Bitter Ridge”.

Game Rules JNL is available in both regular and oblique versions.

When I released the original Organic in 2009, I was satisfied with it. It was what was possible from me and the technology at the time. The Organic Pro of 2021 takes those original desires of delivering a highly legible and friendly sans serif, and doubles down on those notions, while exploring what further infusing warmth in a highly structured sans serif can really do for a client.

Free of distracting and potentially dating visual traits and cues that could be seen as endemic of a specific time period or ‘type trend’, Organic Pro is its own person—take it or leave it. Inviting warmth, assured reliability, and a head nod of confidence is what you walk away with—a stark contrast to the cold, impersonal geometrics and grotesques proliferating the design annuals currently. Releasing this typeface now, completely redrawing the masters, as well as expanding the weight and language options, should be seen as a laid back challenge that we need to do less with type, let it communicate confidently and warmly when it needs to, and stop forcing one-size-fits-all type trends on everyone.

Anatolian typeface was designed with inspiration from the traditional Anatolian kilim motifs and symbols that characterize Turkish culture. Motifs and design elements that has been used for centuries on carpets now found place in a typeface as serifs. It was exciting to see how these old design elements would turn into a modern font that would be applicable for modern designs.

The result was the Anatolian typeface; a purely Anatolian display family that is surprisingly readable as a text font also. Carefully designed proportions and serifs allowed this legibility while standing out as a unique typeface. This new type system would work great in branding, advertising, packaging and many other design areas whether traditional or modern.

Drawn with a loose hand and keeping the eye off what’s considered right (regarding typefaces) Bonkey saw the light of day on a napkin during dinner, and was scanned, cleaned up (just a bit)
It’s an unpredictable font that just wants to have some fun!