Cherish Mccormick

Berina; It is inspired by the contrast and elegance of the texts on the handcrafted posters. It has a wide usage area with 6 different versions. Ideal for creative work in industries such as packaging, branding, textiles. It is user friendly with arrows, ornaments and rich opentype features.

I am (trying to) learn Danish using an app on my phone. The grammar and vocabulary are not that difficult, as the Danish language is very close to the Dutch language. The pronunciation, however, is quite tricky. Words look simple when written down, but when pronounced, they sound very different. Take ‘pige’ (‘girl’) - it reads ‘pee-guh’, right? Well, it is pronounced ‘pee-uh’. Or how about ‘brød’ (meaning bread)? If you keep in mind that the o-slash is pronounced as the ‘i’ in bird - almost like ‘uh’, it should be br-uh-d, right? Wrong again. It is pronounced br-uh-l.
Aaargghh!

I will succeed, hopefully!

Utroligt is a Danish word meaning ‘incredible’. It is a nice, uncomplicated all caps font. I made it with a cheap rollerball pen and some nice French paper. Comes with double letter ligatures and all the diacritics you’d like - including the danish ones.

The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL, which is available in both regular and oblique versions.

The title and credits from the 1965 film “Strange Bedfellows” were hand lettered in a style typical of the early-to-mid 1960s – casual and playful.  This brought to mind similar type designs used by many radio stations when advertising their disc jockeys as cool, hip and fashionable in the slang term of the day “boss” jocks.

Boss Jock JNL is available in both regular and oblique versions.

The title and credits from the 1965 film “Strange Bedfellows” were hand lettered in a style typical of the early-to-mid 1960s – casual and playful.  This brought to mind similar type designs used by many radio stations when advertising their disc jockeys as cool, hip and fashionable in the slang term of the day “boss” jocks.

Boss Jock JNL is available in both regular and oblique versions.

At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.

The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.