Cherish Mccormick

Introducing, Glady - A bold script based with standout look. Added with swashes to make this font even more unique. This type of font perfectly made to be applied especially in wedding invitation, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

- uppercase & lowercase
- numbers and punctuation
- multilingual
- swash and ligature
- alternates
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

MollyO font family is based on the original, reliably cool handwriting of illustrator (and dear friend), MollyO of mollyOcards. Like MollyO herself, this font is unique, unpretentious, and beautiful. Part printed and part script, it has the authentic connections and stops of a contemporary, casual font. For the truest handwritten feel, keep discretionary ligatures on, or turn them off where you want more evenness. MollyO is expressive in all-caps, available in two weights, and with effortless warmth and inky flow, will bring a wide range of creative projects to life.

Pacific Atoll JNL is a stylized slab serif type design based on the movie title lettering for the 1942 wartime film “Pacific Rendezvous”,  and is available in both regular and oblique versions.

According to Wikipedia, “…an atoll (sometimes known as a coral atoll), is a ring-shaped coral reef, including a coral rim that encircles a lagoon partially or completely. There may be coral islands or cays on the rim.”

We are pleased to announce the launch of Vástago Grotesk, a nine-weight sans serif font family, inspired by the traditional grotesque designs of the 20th century. The particular ink traps, result of the G drawing, create it a visual universe that is replicated throughout the system, generating personality and a functional distinctive in multiple contexts.

Vástago Grotesk was born out of an interest in exploring the possibilities of Sans Serif font design, a process that is complemented by the advice of excellent typographers throughout the world thanks to the Type Crit Crew initiative.

The design was carefully constructed, achieving functionality in different sizes, ranging from a subtle Thin to a Heavy weight that projects grandeur and character. Vástago Grotesk is a challenge come true. We hope you enjoy it.

Introducing, Black Rocket- a hand drawn dry brush script which is purposely made for headline, display or logotype, and signature. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates & ligatures
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Dan Hardie, a Miami-based graphic artist and creative consultant at Mutiny, Inc. shared an image he’d spotted online of some interesting signage formerly on the front of the Miami Medical Building.

Comprised of hand-cut metal characters (with a thoroughly avant-garde “Art Deco meets Modernist” approach), this instantly became a font design idea unusual and quirky enough to develop as a digital typeface.

The end result is Office Visit JNL, which is available in both regular and oblique versions.

The free form hand lettered titles for the 1961 film “The Children’s Hour” inspired the digital typeface Late Hours JNL, which is available in both regular and oblique versions.