Cherish Mccormick

Introducing Postpress, a vintage serif inspired by newspapers of the early 1900’s. With rounded edges, soft wedge serifs, and narrow lettering, Postpress can make even the most modern designs feel instantly rooted in history.

Designed for creating large titles for posters and publications, Postpress also reads well at small sizes, making it a great option for blogs, eBooks, UI designs, and even apps.

Postpress is provided in .OTF, .TTF, and .WOFF file formats, is website-ready, and also comes with an ‘outline’ variation.

Derived from a photograph Rian Hughes took in Hong Kong, the Roadkill family of typefaces is a literal interpretation of rough and worn road lettering.

The original provided almost all of the key character shapes, with the others being designed to keep the unique hand painted feel intact. Most of the letters have alternate versions provided.

This font works equally well at wider letterspacing settings.

Roadkill Alternates provides curved versions of the 2 and the S, a G with higher crossbar, and less worn versions of several other characters. The heavy version packs even more gritty wallop in a non-condensed and blacker weight.

Roadkill Heavy packs even more gritty wallop in a non-condensed and blacker weight.

Use in conjuction with the original Roadkill and Roadkill Alternates.

A set of arrows and other road symbols again taken directly from tarmac to Mac, thus preserving the worn and eroded appearance of the original characters is also part of the Roadkill family.

The original letters were cut from actual potatoes, then scanned in and converted to vector outlines. Lighter and more heavily inked versions were used for the three variants.

Using Opentype character-substitution technology, Salvation rotates through three versions of each letter to create a naturally uneven printed effect.

Unlike hot metal type, the potatoes were cut the right way around. This produced reversed prints, which were then flipped back in Photoshop.

Originally produced for Hughes’ Get Lettering activity book, the font was then extended to cover numbers, punctuation and full European language support.

Urbane Condensed is an addition to the popular Urbane series, a versatile all-purpose sans-serif family of six weights plus italics.

Perfect for headlines and running text, it is clear, classic and authoritative. It explores the same idea-space as early geometric modernist sans such as Futura, Erbar, Spartan and Elegant Sans, with a single-story a, a contemporary high x-height and very slightly condensed bowls. Unusually for a geometric moderne sans, letter-widths are optically balanced, giving an even colour in setting. Includes a full international character set, lining, tabular and old-style numerals.

Wilko is the carnival barker of typefaces. Bold, impactful yet friendly, with two decorative variants. No frills, no corners, no messing. When you want to say it loud and clear.

Bold, graphic and with a strong vertical emphasis. Built from simple geometric shapes, Zeno is similar to some of Joseph Albers’ Bauhaus experiments, though with attention paid to normalising the lettershapes to improve readability.

The opening movie titles from the 1940 musical comedy “Strike up the Band” (starring Judy Garland and Mickey Rooney) inspired Bandmaster JNL, which is available in both regular and oblique versions.