Cherish Mccormick

“Istanbul Type” has a modern streak which is the result of a harmonization of width and height especially in the lowercase letters to support legibility.

“Istanbul City” has the modernity of the west and the orientalist texture of the east as the city that unites the Asian and European continents. “Istanbul Type” also includes these features. It is a unique character that reflects the spirit of “Istanbul City”. Many letter alternatives prepared with care have been created for all letters. You can make dozens of combinations from a word using these alternative letters.

“Istanbul Type” is an effective set for creating identities for branding, posters, book covers, headlines, logotypes, restaurants, menu cards, wedding invitations and so on.

“Istanbul Type” provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family.

The designation “Istanbul Type 500 Regular” forms the central point. The first figure of the number describes the stroke thickness: 100 Thin to 900 Bold. “Istanbul Type” 5 weights and italics total 10 types. The family contains a set of 2.200+ characters.

Case-Sensitive Forms, Classes and Features, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs.

You might have a crush on this typeface :)

Do not hesitate to consult me for information about fonts before, during and after purchasing. You can contact me at “buyuksel@hotmail.com”.

Enjoy using it.

Calligraphic font inspired by uncial and gothic cursive scripts. Readable yet very Celtic, medieval, Viking kind of look. Good for beer, whiskey, Scotland / Ireland / Norway / Sweden related products, as well as magic or gaming niches. Basic Latin and Scandinavian character sets are supported. There are also alternatives for some letters

Confitería is the Spanish word for a shop where sweets and chocolates are made and sold, which sometimes has a tea room. And now Confitería is also a font that brings to mind lettering piped on delicate cakes ... sweet but never sickly.

This font captures something of that simple and innocent beauty of traditional confiterías, where good manners will never go out of fashion, menus are elegant and time comes to a standstill to make way for life’s little pleasures. A confitería is a perfect place to share sweet tidbits with a friend or date, eavesdrop on the conversation at the next table, read a book, or just people-watch from the window. I celebrated my last birthday at one.

There is one iconic confitería in Buenos Aires that I love more than the rest because, some 60 years ago, it put up its marvellous sign and never took it down. Walking by it is sure to bring a smile to your face. It’s big. Very big. And the lettering in its name is written in a timelessly beautiful vertical script – the most attractive I have ever seen.

I joined forces with Sol Matas – who worked with me to update the Montserrat font –to design this geometrical connected font with pleasant, even strokes. It is elegant and saccharine-free. And to top it off, it comes in several flavors.’

Welcome! What can we get you?

Osaca is a sans serif font family inspired by nature and it is composed of 6 weights, from extra light to heavy, including the matching italics.
Osaca is a typeface that doesn’t go unnoticed due to its particular design: its curves and lines mirror the typical motif of leaves.
Osaca is ideal for large and medium headers and titles, but also perfectly suitable for short or large paragraphs as it creates an effect that is quite different from the classic sans-serif and definitely unique.

Wright is a sans-serif geometric typeface inspired by the lettering found on modernist building plans. An elegant small x-height, tall ascenders and wide capital letters make the font look great in titles and short paragraphs.

Wright consists of 4 subfamilies, each in 6 weights plus italics—48 fonts in all. Its wide range of alternates and ligatures make it an ideal workhorse suitable for a variety of projects and give your designs a stylish appearance and unique look.

As you would expect from Latinotype, this font comes with a standard set of 800 characters and supports over 200 Latin-based languages.

Kenac is an elegant, fresh and modern serif typeface, with unusual yet functional shapes, that combines characteristics of Roman type with elements of calligraphy and Victorian style.

Its singular modulation and contrast between thick and thin strokes make it look great in titles. In order to ensure ease of use, the Kenac family includes only 5 weights while its matching italics provide contrast and make the font a harmonic choice for continuous text.

Kenac has a unique appearance that makes it ideal for editorial design such as book covers and magazine website’s headers as well as brand identity design.

Blacker Sans Pro is a complete redesign and development of the original family designed by Francesco Canovaro in 2019 as a sans-serif variant of the successful Blacker created by Cosimo Lorenzo Pancini and Andrea Tartarelli. The original idea of Blacker Sans was to create a versatile pairing for Blacker, parting with its spiky wedge serifs but keeping its dark, elegant character and extending its weight range to 20 weights including italics.

This Blacker Sans Pro family did also differ in contrast from the original Blacker family, choosing a more even and monolinear, almost grotesque approach. This choice that favored versatility over elegance left some of the original uses of Blacker not covered by its sans counterpart, and so two subfamilies were added, applying to the same skeleton varying degrees of contrast, from the readability-optimized medium contrast of Blacker Sans Text to the extreme variations of Blacker Sans Display, with its elegant juxtapositions of thin curves and thick black slabs.

The original signature details of Blacker, like the hook shape of lowercase “f”, have been complemented by new alternate forms, ligatures and swashes, with stylistic sets providing options to easily make logos and headings stand out. The wide range of OpenType features (that includes also small caps, positional numbers, and alternate punctuation) is applied to all the 60 weights of the family, each with over 1600 characters offering language support for 220+ languages using Latin, Cyrillic and Greek alphabets.

Ready to make your text look gorgeous? Ditch your usual sans-serifs and try Blacker Sans Pro!