Cherish Mccormick

Thataway JNL is an assortment of arrows in many different sizes, shapes and directions that were collected from antique letterpress blocks and other vintage sources.

The hand lettered title on the cover for the (ca. 1917) sheet music for “After the War is Over” provided the design inspiration for National Nouveau JNL, which is available in both regular and oblique versions.

A precursor to the Art Deco movement which would arrive within the next decade, this bold thick-and-thin design embraces the elements of both Art Nouveau and Art Deco in one type design and gets its name from the patriotic spirit of America during “The Great War”.

It’s blobby, bouncy, and super whimsical. It’s my Spring Herbs font!

I had a ton of fun with this font. With varying stroke weights, heights, and sizes, plus FOUR options for every letter, you can create a fun design with hand-lettered flair!

Spring Herbs contains over 600 total glyphs, including more than 300 extended Latin characters for language support, over 30 ligatures, and alternates for A-Z, a-z, and 0-9!  It’s extensively cleaned to be smooth and sharp for both cutting and printing.

To make things even easier for my FontSpring friends, the alternates are all PUA-encoded for easy access in any program, and are coded as Stylistic Alternates, if that’s how your software rolls!

Clichy is a delightfully handwritten font with strong character.
Clichy is a font inspired by the successful Nuit font, looking for the same harmony and casual character, Nuit’s rounded strokes are now straight. Clichy has even more stylistic alternatives, decorative characters, ligatures, initial and terminal forms in upper and lower case, that allow you to mix and match pairs of letters. Also, with Clichy it is possible to write in capital letters.
Clichy will help your creativity and make your typographic work expressive and elegant.

Klapt Arabic is a geometric sans serif family that is soft on the outside and sharp on the inside. It is based on the Kufic calligraphy style.

Klapt Arabic can be bold or very elegant and is well suited for designs ranging from branding and corporate identity to editorial design or web design. It has a timeless style and is great for display purposes, especially for headlines, posters, magazines, book covers, logos… you name it!

This font family of four weights includes an extended character set supporting most Latin languages ⁠and extended Arabic, including Persian and Urdu.

Feel free to share your designs using Klapt Arabic or just get in touch via email to hi@seventype.com.

Klapt Arabic is the extension of Klapthttps://www.fontspring.com/fonts/seventype/klapt.

Mimeograph Lettering JNL is based on one of the numerous plastic lettering templates once manufactured by the A.B. Dick Company of Chicago and is available in both regular and oblique versions.

The mimeograph utilized a porous drum which inked the backside of a waxed stencil sheet. Unlike traditional stencils which have cut out areas that are directly inked or painted, a mimeo stencil has the area to be printed scratched away by removing the wax coating with a stylus.

The resulting image allows the ink from the drum to seep through the sheet and transfer to the blank paper.

As with a companion font (Mimeograph Template JNL), the character shapes follow the routed letters of the template, complete with rounded terminals. A previous font release [designed with flat terminals and some alternate characters] is available as Interoffice Memo JNL.

Eksperiment is danish for experiment. Without much guessing or knowledge to danish, you probably already knew that! I like those danish words containing a “k” - is it because my name is spelled with a “k” ? I don’t know - maybe it’s because it kind of represents the danish language, which is full of words with “k"s :)
Anyway, the reason for the name is that I wanted a font looking like it had gone through tough times, a bad copy machine and perhaps even crumpled paper…but the experiment is that the font is 100% made using digital media. I used my MacBook and my iPad creating this font. I find it quite amusing, that something 100% digital looks like something organic :)
I’ve added 5 different versions of each letter, which is really helpful when working with grunge fonts. It looks more natural, when the same letter rarely repeats itself.