Cherish Mccormick

Kurri Island is a positive sans-serif typeface. 
It was drawn and created by Måns Grebäck between 2017 and 2020.
With its slightly irregular strokes and bends the font has a characteristic fun and comical and look.
The sans is easy-going and relaxed while being serious enough to be used professionally.

Kurri Island is an extensive multi-style font family, composed of 24 high quality fonts.
The weights are Thin, Light, Regular, Medium, Bold and Black.
Being favorably used as a block letter sans-serif, it has an additional Caps style to maximize the impression, and each font are provided as Italic.

Its range of styles gives the typeface great flexibility, while also giving the ability to emphasize phrases or words.

Kurri Island contains all characters you’ll ever need, including all punctuation and numbers.
It has an extensive lingual support, covering all European Latin-based scripts.

Cannoli is a brush lettering style font, designed specially for use in logotypes, advertising and packaging. It is interesting to note the use of free-flowing lettering to perform its own eye-catching.
This vintage typeface is a reminiscent of the posters of the 50s, painted with a brush in enamel advertising signs.
“Cannoli” was inspired by the delicacy of the Sicilian pastry, and the robust charm of its landscape.

Clarika is driven by the core concept that a font family can provide both a geometric and grotesque set of sub-families, interchangeable to create a robust versatile type system.

Clarika Office is the suit-and-tie companion to Clarika Pro, offering a pared down set of styles to improve the ease of use within office applications such as Word or PowerPoint. Office carries nearly all the same features as Pro. Multiple family classes have been designed mapping popular combinations of weights from Clarika Pro giving flexible options for brands in an otherwise limited environment.

Within all Clarika families co-exists two sub-families, Clarika Geometric and Clarika Grotesque. Clarika Geometric is the backbone of the system defined by calculated precision, balance of hard and soft geometry, and simplicity of form while Clarika Grotesque is refined by traditional cues, elegant page texture, and classic grotesque detailing. Unique notches and angled terminals throughout both sub-families invite negative space into counters allowing letterforms to become more legible and gracefully support an incredible range of weight options. Clarika is both a nod to the past and a step towards the future.

Character sets support over 200 Latin-based languages covering Western Europe, Central/Eastern Europe, Baltic, Turkish, Romanian, and Cyrillic languages. Equipped for professional typography, Clarika supports OpenType features include lining, tabular, and oldstyle figures, fractions, ordinals, superscripts, subscripts, and more.

During the 1960s Hippie movement, a large amount of the rock and roll poster art was strongly influenced by the Art Nouveau period of the early 1900s.

A poster for an appearance by The Doors at San Francisco’s Cow Palace Exposition Center (presented by Fillmore East and West owner Bill Graham) featured some wonderfully eclectic Nouveau-styled serif hand lettering.

Now recreated as a digital type face called Cow Palace JNL (and named for the performance venue), the font is available in both regular and oblique versions.

An assortment of antique, hand-punched brass stencils from Australia [used for crate marking and shipping] served at the models for Aussie Stencil JNL, which is available in both regular and oblique versions.

The lettering of the original stencil punches had rounded edges to the characters; looking more machine rendered than hand punched into the brass sheets.

Full of curves, Headwaters is a nine-weight sans serif face with a special personality.

The lower case is more conventional than the capitals, for ease of reading in extended text setting. The capitals have some unusual, eye-catching letter shapes—a little bit art deco or geo—rendered in a subtly grotesk manner, in keeping with the overall tone of the typeface.

Nebulosa font family has been designed for Graviton Font Foundry by Pablo Balcells in 2020. It is a futuristic, slightly extended sans serif typeface with semi rounded endings that provide a softened aesthetic without losing its solidity. Nebulosa has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks.

Nebulosa consists of 10 styles, 8 of which containing small caps and glyph coverage for several language and 2 of which are free.